I recently tested out a Nikon FM2 a dear friend gave me. No better place to test it out next to a pool and a dog. I hope to add this to my semi-not-so-annual ‘Camera of the Month’ posts….guess I should really change that name. Anyway, I’m pleased with how the whole roll came out. The Nikon FM2 is almost a fully manual camera, which I’ve never had the pleasure of using. It was fun and I’ve officially added it to my bag of tricks. More to come.
Today folks, I’m going to give you my review of the wonderful, fantastic, amazing, incredible…. oh and BITCHIN Canon 5D Mark III. What’s it all about? Awesomeness! Is that too technical? The 5D Mark III is one of my absolute favorite digital SLR cameras. That is permanently in the gear bag. It is so versatile, but I prefer to use it for fine art portrait photography, weddings, and the occasional real estate/architecture photo shoot.
I first tried out the 5D Mark III on a portrait shoot that was becoming a bit of a challenge. The portrait shoot was turning out to be a much larger project than originally anticipated and I was worried I was not adequately prepared. Thankfully I was able to borrow a 5D Mark III from a friend to test out and aid in the photo project.
Wow…. just wow. Cue Angels singing. It did not take me long to adjust to the camera and find my groove. One thing I love about most Canon cameras is they are easy to use straight out of the box. If you are slightly savvy with technology, even just a little bit, Canon’s are typically straight forward and easy to use. I find I learn and master Canon products way faster than other brands. They are intuitive and the 5D Mark III is just that. The features on this guy are really smart and well thought out. Is there room for improvement? Sure, always. But really, this camera is set to step up your game and rock your world. Using this camera has definitely increased my confidence as a photographer.
My favorite feature on the camera is the quick access button. Upon pressing the Q button, the user has instant access to change any and all of the cameras features. It’s very different from trying to access features and settings from a general Menu option. Wanna see?
Pretty darn cool, right? This feature allows the photographer to change settings incredibly fast. When I’m shooting portraits, more importantly, when I’m photographing children and family portraits, so much can happen in such little time. Candid family interactions are quick and kids move even quicker. This feature alone has helped me capture some amazing shots that I would have missed on another camera. I am able to focus on my subject and change settings all within a few seconds. More importantly, I spend less time prepping and testing prior to my photo shoots, allowing me to spend more time with my clients.
Speaking of speed, the 5D Mark III focuses lightning fast. Occasionally, I become distrustful of it and I will intentionally blur the frame to make sure that it is focusing correctly. Granted, this also has to do with the lens you use, but I really haven’t noticed a huge difference between my set of lenses. This thing is fast and that makes me love it even more. Especially when photographing kids. Those little buggers are quick!
Possibly my second favorite feature is the dual memory card slot. This serves a few different purposes. You can either set it to fill one card with images and then have it kick over to the second card, or you can use both cards at the same time but use one for RAW images and the other for JPEG. I personally like having a backup card in there. Since the camera also shoots video as well, which I must admit I don’t use so I can’t objectively review it, you could use one card for video recording and the other for still images. Yea, the camera is just that smart. Now, one card is a SD size while the other is a CF. I’m not exactly sure why they did that and if anyone knows, I’d love to hear why.
Moving on, the dial features all the usual options for shooting modes, but they also added three custom slots in order to access your custom settings easier. Wanna see?
Now the body of the 5D Mark III is a bit hefty, but this is a professional camera. The body is actually based on the EOS 7D design. What I enjoy about the size is that it does not feel overbearing. It is heavy, but it’s comfortable and with the lenses I use, the weight feels well balanced. I have yet to feel awkward or experience any form of fatigue using it. It is a solid well-built camera with a comfortable grip. I have yet to travel with it and experience it in that manner, though. I do hope to take this on my next trip/adventure in order to test out landscape photography and just generally traveling with it more. I would think this camera is on the large size for traveling, but the images it provides will more than pay off for any possible awkwardness.
Let’s talk image quality now. During my first portrait shoot with it, I knew I had captured some quality images from what I could see on the LCD screen (which by the way, is an appropriate size with amazing clarity). It was not until I uploaded the images to my computer that I realized just how great they looked. I really enjoy the color that comes from Canon cameras. Skin tones always come out looking so natural and fresh. I feel it is both accurate and complimentary with a touch of warmth mixed in. Canon just knows how to create a very pleasing color palate that is complimentary to the subject.
All in all, it’s a great camera. It’s so much fun to shoot with and the results are equally exciting. Shooting with this camera takes away any anxiety I may have prior to a photo shoot. The 5D Mark III allows me to just go with the flow and focus on my clientele. That being said, I believe Canon will be coming out with a Mark IV soon, and I am excited to see what the difference is between the two. Honestly, the 5D Mark III is a camera I can see myself owning for the rest of my days. Maybe not the only camera I will ever own, let’s be realistic, but certainly a long lasting partner in crime.
22MP full frame CMOS sensor
1040k dot 3:2 LCD
Dual card slots for both CF and SD cards
ISO 100-25600 standard & 50-102,800 expanded
6 fps continuous shooting
Shutter rated to 150,000 frames
100% viewfinder coverage
1080p video recording (stereo sound via external mic)
First, let me say, my goal was to get this out around the first of the month….looks like I fudged that a bit. My point is, I would like to write an article/essay or whatever once a month and my goal is the first of the month, so stay tuned everyone.
Now that that’s out of the way, I think I will write about my Fuji X-E1 mirrorless digital camera and my experience with it traveling. The X-E1 is like the “little brother/sister” of the X-Pro 1, for those of you who may or may not be familiar with it. The Fuji X-series is a great line and many professional photographers are using them for all their shoots, including weddings. In fact, there are some amazing wedding photographers out there doing amazing things with the Fuji X-series. But, my experience is limited to the X-E1 and eventually I plan to upgrade to the X-Pro 1 down the line.
On my recent trip to Wales, I struggled with what camera to bring. I honestly wanted to bring EVERYTHING! I knew I was going to a beautiful place that has a deeply special meaning to me. I wanted to be so overly prepared, but eventually… reality sets in. You just can’t always take everything. I decided to pack up my X-E1 and my Canon AE-1 35mm film camera. Best of both worlds, right? Since my friend and I were planning on backpacking, I quickly appreciated taking my smaller cameras along for the ride.
Prior to the trip, I really didn’t have a chance to explore every feature and test it out the way I would have preferred. I have used the X-E1 for a few portraits and fun experimental shoots, but not as much as I would have preferred. I had a great experience with it photographing an acquaintance and her beautiful horse, Rebel. She was kind enough to show me around the property where we encountered a very friendly old burrow…. who I forget his name. Shit. It was cute, too. Thank goodness for pictures, right?
One of my favorite features is how the camera captures black and white as well as the many options it has for film simulation. Fuji’s colors are just amazing as well. I had a hard time deciding between black and white and color sometimes. The X-E1 also has an electronic viewfinder which is a nice bonus and fun feature to use that allows you to really see what you/the camera are capturing.
Physically, the X-E1 is slim and fairly small in size with a pretty kick ass retro design. I actually tried to buy the black/silver body option, however, those were quite hard to come by… so solid black it is! I came across the X-E1 through my photography mentor and once I held it, I was in love with it. It’s fun, challenging, and pretty damn cool. It may sound weird to non-photographers, but for me, how a camera sits in my hot little hands is so crucial to me. I have to be physically comfortable with the camera so that it doesn’t feel like it’s there at all and I’m free to roam around and focus on what I’m seeing. I mean after all, that’s what my goal is, right? I’m trying to show you how I see the world. My unique vision which can’t happen if I’m not first comfortable and in love with my camera.
Anyway, the X-E1 has just a really great feel to it. It’s solid and feels strong for such a little guy. I actually like the compact size and have really enjoyed that aspect, especially when traveling. It’s low key and easily allows me to take photos nonchalantly, but packs a punch. I think people who enjoy travel and street photography could easily fall in love with this camera.
Back to Wales…. I decided to test out as many features on the camera as I could. I even used the video record option, which I never do and works great. The panorama option works pretty easily and takes a nice shot. In fact, I have the below pic as my desktop background. I actually took quite a few panoramas and didn’t anticipate that. It is a really nice feature to have, especially while traveling.
All in all, everything worked as expected and really exceeded my expectations. One thing I didn’t care for was the shutter lag, which is a known problem. It is slow. Slow enough to make you account for it and think about it while shooting, but not impossible. This is why I view this camera as a travel/landscape camera for me. I don’t like to feel rushed with it because I can’t be. Now, I admit, there is some user error to account for, but this is a known problem with the camera and Fuji is aware of it. They even released a software update to help with it, and it kinda sorta does. I think I am also used to using the Canon 5D Mark iii which is incredibly fast all around. But that is not a fair comparison really.
What I really enjoyed about the camera goes back to its size. I could walk around a town in Wales and have it around my shoulder and not feel weighed down. I never felt as though it was in the way or becoming a burden. It was easy to keep in my lap while I had lunch in a pub or slung on my shoulder making my way around a castle or museum.
By the end of the trip, I loved the camera even more….but as I mentioned before, as a dedicated landscape/travel camera. I really love my landscape pictures and even some architecture shots. Traveling somewhere that is so green, so historically ancient, and just so damn cool to look at, I am very pleased with how it shot and am impressed with the Fuji color.
You can view more photos from the trip on my blog. Thanks for coming by!
A little over ten years ago, a close friend gave me her old film camera complete with a few accessories, a telephoto lens, and a nice bag to go along with it.At the time, I was just beginning to get into photography but I was more interested in the new fancy digital age that was becoming so popular. I really liked the idea of having a film camera, but I was also nervous about it as well.I thought of film as a strictly professional tool only professionals used, not some twenty-something kid who didn’t know the first thing about film or photography.So I thanked her, and I was very grateful and excited, but the film camera just seemed too intimidating to me and it disappeared into my closet.
Once in a while I would take it out, examine everything and think, one day I’ll use this. I moved around frequently during this time in my life and I always took it with me, not ready to use it but definitely not ready to give it up.
A little over a year ago, I was having dinner with my photography mentor and we were discussing film. He had been encouraging me to shoot film for some time and I just didn’t feel like I had it in me.Isn’t it expensive? Isn’t film dead? Depends and No! As we were talking about it, I casually mentioned I did have a film camera, but it probably didn’t work and would need to be cleaned at the very least. He asked me what it was and I said, “I think it’s a Canon AE-1.” Boom. I thought he was going to jump out of his seat. He gushed over the camera’s quality and popularity. Next thing I know, he hands me a few roles of film and that was it.
I took the camera in to be cleaned and check to see if it even worked. It passed with flying colors. So I loaded up some film and started hunting for shots worthy of film. Having only 36 exposures to work with, I felt really limited and did not want to waste anything. I didn’t even know if I had my settings right (enter photo mentor to the rescue again). Next thing I know, I’m over at a friends house taking photos of her niece andnephew.
It was different and it was fun.A lot of fun.
I had become so used to viewing my photos right away thanks to digital cameras, that I felt totally in the dark. I had no idea what was going to come out and if I had set everything right. But all those worries just disappeared and I began to enjoy the camera. It forced me to slow down and take time framing my shots. My AE-1 has a standard 50mm lens on it (which I use all the time), and that forced me to physically move around more. It completely changed the way I approached photography, digital or film. It was a really wonderful experience and I learned a lot that afternoon.
Since then I’ve taken the Canon AE-1 with me just about everywhere. I primarily use the Kodak Portra film, but I have used Fuji film before. Both are excellent, but I lean towards the Portra because I feel my images come out a little warmer, whereas the Fuji tends to lean on the cooler side. Really, it just depends on what I’m shooting and who the subject is. Eventually, I plan to branch out and play around with other films, but for now I’m happy bouncing between the two.
Shooting film has been a wonderful experience for me.And it’s not just the photography part. When I am out in public using this camera I am constantly stopped and asked about it. I’ve met some great people and have had some really interesting conversations with random passerby’s, always asking, “Is that a film camera? Can you even buy film anymore?” Yes and YES!
I’ve been asked a few times what film means to me, and the truth is… I don’t really know. But I know it makes me feel things. I feel excited and anxious to have a roll developed, wondering what turned out and what didn’t. I’m ecstatic when something works or turned out better than imagined. I just feel inspired and refreshed to use it. It’s like meditation, but for photographers.
A real bonus are the sounds it makes. Snapping a pic gives off an old mechanical sound that is just so pleasant to listen to. Hearing the film advance with the pull of a lever is oh so satisfying.The camera body itself just feels right in my hot little hands. It’s just a really cool camera that was designed well enough to stand the test of time.
Prior to using film, I was feeling kinda blah about photography. I was very uninspired and not feeling challenged. I knew I needed a change, but I just wasn’t surewhat. I’m glad I hung on to this camera for all that time. I also wish I wouldn’t have been such a wuss and dived into film sooner, but what’d ya gonna do?
I take this camera with me everywhere now. Every professional shoot I do, traveling, friends parties, anywhere and everywhere. I feel my images have a bit more emotion to them that I can’t always get with digital.What I’ve noticed with digital is that I either get the shot or I don’t. Digital is either perfect or it’s not. But with film, there’s flexibility. When I’m playing around with the AE-1, some images come back over exposed, a little blurry, or even old-fashioned looking… but it looks great.A little more artistic, if you will. Occasionally, I get a bad roll of film, causing light streaks or double exposures, but that all works to my advantage. Thanks to the Canon AE-1, I’m now feeling more challenged and connected to my passion. It is by far one of my favorite cameras.
A little tech for ya:
This is just a brief technical overview. I’m not a tech writer, so I may leave out some things others might find more interesting. This post is more about my experience and use of the camera. I do encourage you to do your own research on this awesome camera and consider adding it to your bag of tricks. Thanks for reading!
The Canon AE-1 was first introduced in April of 1976 and was in production until 1984.It was a breakthrough design that pushed Canon ahead of the competition. The first of its kind to use a microprocessor or specifically an electronically controlled electromagnet horizontal cloth focal plane shutter, which sits right in front of the film/sensor (a.k.a. fancy gizmos work together to form awesome pics).The exposure control system consists of a needle pointing along a vertical f-stop scale on the right side of the viewfinder to indicate the light reading (this is actually one of my favorite features).The split prism focusing screen is an excellent feature and aids manual focus.
The AE-1 was an instant hit reaching over a million units sold and changed Canon’s image for the better.They were officially playing with the big boys now.While it was never meant to be a professional camera, its ease of use and manual control options appealed to the more experienced as well as newbies to the craft.
In 1981, Canon developed the AE-1 Program. The major difference between the two is the addition of the Program AE mode which sets shutter speed and aperture automatically. The viewfinder changed from the needle reading (which I prefer) to an LED display. Many are still around today. I (ahem) have three myself: an AE-1 and two AE-1 Programs.